Text

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Clyfford Still,
Richard Diebenkorn, Ocean Park #79,
Pollock Summertime Number 9A, 1948, London, Tate Gallery
Franz Kline, Black Reflections, 1959, New York, Metropolitan Museum of Art.
Barnett Newman, Vir Heroicus Sublimus, 1955,
Helen Frankenthaler, Saturn, 1963, Edinburgh, National Galleries of Scotland.
Mark Rothko, Orange and Yellow, 1956, Buffalo, Albright-Knox Museum.
Robert Motherwell, Wall Painting III, 1952, Washington DC, Smithsonian American Art Museum.
Joan Mitchell, Begonia, 1982, Niagara University, Castellani Art Museum.
Willem de Kooning, Villa Borghese, 1960, New York, Solomon R. Guggenheim Museum.

AUGUST EXPRESSIONISM

Clyfford Still, PH-972, 1959, Denver, Clyfford Still Museum.
Richard Diebenkorn, Ocean Park #79, 1975, Fort Worth, Modern Art Museum of Fort Worth.
Jackson Pollock, Summertime, Number 9A (det.), 1948, London, Tate Gallery
Franz Kline, Black Reflections, 1959, New York, Metropolitan Museum of Art.
Barnett Newman, Vir Heroicus Sublimis, 1950-51, New York, Museum of Modern Art.
Helen Frankenthaler, Saturn, 1963, Edinburgh, National Galleries of Scotland.
Mark Rothko, Orange and Yellow, 1956, Buffalo, Albright-Knox Museum.
Robert Motherwell, Wall Painting III, 1952, Washington DC, Smithsonian American Art Museum.
Joan Mitchell, Begonia, 1982, Niagara University, Castellani Art Museum.
Willem de Kooning, Villa Borghese, 1960, New York, Solomon R. Guggenheim Museum.

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